La spettralità della scena. La performance fotografica tra documento, drammaturgia e digital liveness in The Dead di Città di Ebla

Abstract

Starting from the analysis of the performance The Dead (Città di Ebla, 2010-2012), the essay intends to measure the media-performative implications that the various devices produced within the performance, including in particular the technique of real time shooting and the co-presence of screens, produce in the relationship between theatre and photography, and in the concept of “liveness”.

DOI: 10.4424/rsf2022-10