Il teatro come esperienza: Tony D’Urso fotografo dell’Odin Teatret

Samantha Marenzi (Università Roma Tre)

Abstract

In 1973, Italian photographer Tony D’Urso met Eugenio Barba’s Odin Teatret and photographed the performance Min Fars Hus from above, lurking in a hidden place. The following year, D’Urso took part in the organization of the first barters in Carpignano Salentino, which he photographed mixing documentary, stage, and anthropological photography. Two books, one from 1977 and one from 1990 (reissued 2000), collect the traces of the years that followed, during which D’Urso experimented with theatre as a place of experience and relationship.

DOI: 10.4424/rsf2022-5

Keywords

Theatre photography; Experience; Relationship; Photobook.

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