La spettralità della scena. La performance fotografica tra documento, drammaturgia e digital liveness in The Dead di Città di Ebla

Vincenzo Del Gaudio (Università degli Studi di Salerno)

Abstract

Starting from the analysis of the performance The Dead (Città di Ebla, 2010-2012), the essay intends to measure the media-performative implications that the various devices produced within the performance, including in particular the technique of real time shooting and the co-presence of screens, produce in the relationship between theatre and photography, and in the concept of “liveness”.

DOI: 10.4424/rsf2022-10

Keywords

Theatre mediology; Photography and performance; Liveness; Real time shooting; Screen; Theatricality; Repetition.

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