La spettralità della scena. La performance fotografica tra documento, drammaturgia e digital liveness in The Dead di Città di Ebla
Abstract
Starting from the analysis of the performance The Dead (Città di Ebla, 2010-2012), the essay intends to measure the media-performative implications that the various devices produced within the performance, including in particular the technique of real time shooting and the co-presence of screens, produce in the relationship between theatre and photography, and in the concept of “liveness”.
DOI: 10.4424/rsf2022-10
Keywords
Theatre mediology; Photography and performance; Liveness; Real time shooting; Screen; Theatricality; Repetition.
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